Don’t Like The Beatles? Don’t Like Life.

It was a real shock. I’d never really met one before, or, at least, if I had, I didn’t know it.

This was approximately three years ago; a lazy, sunny Sunday morning after a party at a friend’s house. A few people who’d stayed the night were recovering after a reviving breakfast, when the conversation got around to music. Somebody mentioned The Beatles. A woman wrinkled her nose.

“Ooo. I don’t like The Beatles,” she claimed.

I stared at her world-weary face in complete shock.

“Sorry,” I chuckled, “for a minute there, I thought you said you didn’t like The Beatles.”

Her eyes narrowed.

“Yes,” she said, pursing her lips, “that’s exactly what I said. I don’t like The Beatles.”

She meant it. I couldn’t believe it. How could you not like The Beatles? I immediately assumed the role of persuader, a missionary for all things Fab Four. I illustrated the depth and breadth of their musical genre, from rock to folk to jazz to vaudeville to Asian, but, with a rebuttal.

“Nope. Don’t like ‘em,” said bitchy resting face, which she’d become to me by this time.

But I felt justified in my judgement. To not like The Beatles is like not liking life itself. It’s like saying ‘I don’t like breathing’ or ‘I hate fluffy kittens and sunrises and tickles on my back’. It’s an oxymoron. My claim on a smaller scale is: If you can’t stick the four loveable mop tops, you are incapable of enjoying music.

My love for The Beatles started at an early age. I shared a bedroom with my sister, 12 years my senior, in the 1960s. Being a 1960’s teenager, she was a massive fan of The Beatles; actually, a massive ‘fan’ of Paul McCartney, then The Beatles; I’m not sure if the Paul McCartney part had anything to do with music.

Anyway, she had the standard issue ‘Danset” portable record player, which allowed you to stack your 7” records onto the central pole and play one after the other. Janet never bothered with this with the single “Help”. She just played it repeatedly until my dad decided to tell her to ‘leave it out’ and ‘give it a rest’. I loved it. Along with ‘Please Please Me’ and ‘I Wanna Hold Your Hand’.

By 1969, Janet was married and living in her own house, where I could spend some of my summer holidays. No doubt I’d heard it earlier, but I can remember spending much of 1970 listening to ‘Sgt Pepper’s Lonely Hearts Club Band’. I was nearly 10 years old, but this album blew me away. If that’s an appropriate term to use for a 10-year-old. Of course, now I know more about Sgt Pepper, I can see why it was so significant. Sgt Pepper could possibly be the greatest album ever made, which sounds a bit dramatic, until you realise that Rolling Stone magazine has decided that it is.

As I grew older, I found kindred spirits. I remember as a student sitting in the back of a broken-down car in Worthing with my American friend. We had to wait for the break down services to arrive, so amused ourselves by singing ‘Sergeant Pepper’s Lonely Heart’s Club Band’ – not the song, the album. We knew the track listing and all the lyrics, mainly because Sgt Pepper was the first to print the lyrics (or ‘words’ as we called them) on the record sleeve.

In teenage years, I followed McCartney and Wings, even when I was a punk. Listening to ‘Working Class Hero’ by John Lennon and realising he was the original punk. Knowing where I was when hearing that he’d died. Being told that he’d been shot as I shaved in our flat in Brighton, the tears streaming down my face, unsolicited and surprising at the time, since it was the first of many signals of my own and others mortality.

Then, a couple of months ago, Lady Barton St Mary, Steeley, the Tinkers’ Friend, She-lah!, Pen, Nancy Cuticles and I went to Colston Hall in Bristol to see Paul Weller. Steeley, Nancy and I made our way to the bar after a friendly chat with a couple of Stranglers fans to get a soothing ale. Discussion turned to Paul Weller and his influences and the obvious subject arose.

“Oh, I’m not keen on The Beatles,” said Steeley. Thank goodness he said ‘not keen’, otherwise I may have had to ex-communicate him as a friend. I assumed The Beatles missionary position, if you’ll pardon the expression.

“How can you not be keen on The Beatles?” I enquired.

“Well, I don’t think they were that good,” he replied.

“But they’ve influenced almost every band that followed them,” I offered.

He thought for a moment.

“Yeah, well, I prefer other bands that didn’t follow the Beatles,” he replied.

“Like who?” I asked.

“Siouxsie and the Banshees,” he said, with a big smug grin on his face.

I gave it a moment as I stared into his eyes, savouring the moment. It only took two words.

“Dear Prudence,” I offered.

His eyes widened as he looked at me.

“Erm, yeah, but they did it much better,” he retorted, but he knew he’d already admitted his mistake.

Don’t like The Beatles, don’t like life.


Want more? Live in the UK? Follow this link to watch ‘Sgt Pepper’s Musical Revolution with Howard Goodall.

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Rural Spaceman – Offline in Scotland

It all came about thanks to that nice Richard Branson, who, having owned part of our railway system for 20 years, decided to reward the populace by offering tickets from Birmingham to Glasgow for £10 each way.

I’d never been to Scotland before, which appears to be rather surprising given my age, but many other rather senior people I spoke to admitted they’d never been, either. It’s true to say that if you are born at the bottom end of Britain, you tend to go south for your holidays, or abroad, where it’s usually sunnier and warmer.

Lady BSM went into action immediately, planning the trip:

  1. An overnight stay in Glasgow.
  2. Collect a hire car and drive to Aberfoyle, where we would stay in a castle for a couple of days.
  3. Drive to Edinburgh and stay for another couple of days.
  4. Back to Glasgow for another overnight stay.

“Would you like to go with somebody else or just me?” Lady BSM enquired.

“Oh, I’d really like it to be the two of us,” I replied, “let’s make it a romantic trip.”

“The Sexton would really love the scenery of Scotland, though,” she said thoughtfully…

So, it came to pass that Lady BSM, The Sexton, Pen and I found ourselves on the train to Glasgow via Birmingham, with bulging carrier bags of salad, pies, sandwiches, crisps, beer, gin and a selection of curious looking whisky miniatures that appeared from Pen’s handbag. They looked like the sort of thing I found in the back of my mum and dad’s drinks cabinet when I cleared out their house. We studied each bottle carefully.

“How old are these, Pen?” I asked. She shrugged.

“I don’t know. Just drink them.”

I pointed at one miniature that wasn’t whisky, but some sort of Port that had managed to become clear, with Port coloured flakes floating about in the translucent liquid.

“Are you sure your dad doesn’t mind us having these?”

“Well, they’re not dad’s, they’re from the old lady’s house opposite. She’s in a home now,” Pen explained, looking at the separated Port.

“Best not drink that one,” she advised, as The Sexton unscrewed the lid of another.

The holiday had begun.

We checked into The Glasgow Premier Inn, with a room on the fifth floor, surveying the panoramic view of the multi storey car park with its dazzling air conditioning units backed by a gigantic office block, where no doubt many workers were going about their business behind the tinted glass; however, we needed to get out and see the sights of Glasgow, so duly met up with The Sexton and Pen and made our way to Sauchiehall Street.

It wasn’t what we were expecting – it was no different from any other city or town centre, with a fair amount of litter, beggars in doorways and familiar shops. Globalisation is so lazy; they could at least try. For example, you could have Mc McDonald’s, or C U & A. Sports Direct selling running sporrans and lycra kilts. Although, mentioning kilts, there were plenty of kilt shops everywhere we went, which suggested a demand for them. The looks on the faces of the lonely shop assistants suggested otherwise.

We stopped in a local hostelry whilst researching where the ‘nice’ part of Glasgow was. It turned out to be the west part and a friendly taxi driver took us there, recommending Ashton Lane as the place to be, a short street full of trendy bars and restaurants. We chose to eat in the new Innis and Gunn brewery kitchen, which had a selection of lagers and beers. Very nice too.

On our return to Glasgow, at the end of our trip, we returned to the west end, dining in The Bothy restaurant opposite Ashton Lane. The waiters wore kilts. I ate haggis, neets and tatties and drank Belhaven beer. You couldn’t get more stereotypical.

A Glaswegian friend had recommended The Kelvingrove Art Gallery, in a lovely part of the city, which contains some wonderful artwork, including The Burrell Collection. Worth a trip, if you like that sort of thing.

Aberfoyle-Staying in a castle. 3 miles off the beaten track, in woodland. It was an air bnb, with the owners living next door. Pen looked out of the window of her bedroom where the owner and another workman stood on scaffolding, working on the outside walls.

“I think I’ll take a shower later,” she mused.

Aberfoyle followed the characteristics of a lot of the places we visited. The countryside was stunning, whilst the towns were particularly disappointing. It’s worth pointing out that there seems to be fewer people in Scotland, hence the roads are quieter; it was in Aberfoyle we went to see red squirrels. The Sexton, a huge fan of all things wildlife, was thrilled, genuinely thrilled. There is a drive that takes you around three lochs in the area; the views are stunning. Taking a boat trip across Loch Lomond, we saw Ospreys nesting. Again, The Sexton was in his element.

“Another one I can cross off my wish list,” he grinned, clasping his binoculars to his chest.


Stirling Castle was worth the trip too, with a guided tour explaining what an awful bunch of people the English were. To be honest, Stirling Castle probably edged it over Edinburgh Castle as a place to visit, but both gave me more of an idea as to the history and genealogy of our kings and queens; for example, I now know that Mary Queen of Scots was mother to James I of England, VI of Scotland, who wrote his own bible and believed in witchcraft.

We had a long road trip up to Glen Coe and Ben Nevis, more incredible views, breaking up the journey by shouting out other Glens and Bens: Glen Close, Glen Miller, Glen Campbell, Glen DaJackson, Ben Fogle, Ben Shephard, Ben Stiller (you get the idea) and playing traditional Scottish bagpipe music on the car’s sound system via Bluetooth. Again, Fort William’s beauty was inversely proportional to its surroundings.

Back at the castle, the promised wi-fi access was still in absence, along with any form of television. Of course, you should be able to live with this, but what with the final of Masterchef about to be aired along with Gloucester’s rugby team playing in the European Challenge Cup tantalisingly close in Edinburgh, it was a bit of an issue. We managed to listen to the rugby on the radio. We wished we hadn’t. Masterchef could wait for Edinburgh, in our air bnb basement flat.

So, to Edinburgh.

“This basement flat, will it have slugs in the kitchen?” I said to Lady BSM. We lived in a basement flat during the early years of our relationship, where it wasn’t unusual to make a trip to the toilet and tread on a conga eel sized slug on the way.

“No, I don’t think so,” she said, “this flat appears to be a lot better than the flat we had in Brighton.”

Not half. It was enormous, tastefully decorated and near to Holyrood Park and The Royal Mile. What’s more, it had wifi, so we could watch Masterchef. But not quite, since after watching the penultimate episode, the screen informed us that we had used all of our data allowance. Scotland and the internet seemed incompatible.

We made our way up to Edinburgh Castle, having purchased tickets at Stirling.

“Let’s hope I can find the tickets, or we won’t get in!” said Pen.

“From all the talks we’ve had so far, I think English people have been getting into these castles without paying for centuries,” he murmured.

After our trip around the castle included the firing of the one o’clock cannon and a tour of the Scottish crown jewels, which they are extremely fond of burying in times of crisis, such

Michael McIntyre discovers the hidden royal jewels.

as when the evil English wanted it for themselves or, incredibly, during the second world war. I suspect that, with the onset of Brexit, a couple of hardy, kilted souls will be sharpening their spades again soon.

After leaving the castle, we had to take refuge from the rain in The Ensign Ewart, a proper pub on The Royal Mile, with its dark interior and selection of whiskies. It was here we decided to sample some single malt. It’s an acquired taste, one we’re all still trying to acquire. Scotch whisky has the underlying effect of drinking smoky petrol. To be honest, I prefer Irish whiskey, but there does seem to be a certain snobbery around whisky drinking on a par with the wine buffs. In the end, it’s all flavoured industrial cleaner.

Our trip was most enjoyable, with the frequent moves making it even more entertaining. Our last night’s stay in Glasgow was in the curious Alexander Thompson hotel, a rather austere looking hostelry with Glasgow Central Station nearby. Everybody was friendly, except for one miserable taxi driver, who was definitely out of character with his colleagues, who all told funny tales and were quick to mention the rivalry between Glasgow and Edinburgh.

The Sexton sat next to me on the train journey home, holding his carrier bag full of lunch.

“Amazing. It just goes to prove that when you’re deciding to go on holiday, it may be better to head north,” he concluded. I agreed.




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The Day I Met A Saint

It happened by the green outside our house. I was returning from the shops with my mum and we passed a large, black car parked a little way up Dacre Gardens. The rear window was open, cigar smoke drifting out into the autumn air, curling around my mother’s headscarf as she passed the vehicle. She made a double take at the passenger, somebody vaguely familiar to her.

He looked at her directly, before opening the car door and alighting.

“Good afternoon, madam,” he said. She stared back, slightly coyly, before returning the greeting. The man’s eyes then moved to me. Slowly, he extended his hand and took mine, shaking it very gently.

“and good afternoon to you, too, young man,” he said, in his rich, impeccably crisp, well tailored voice, as his chauffeur, our neighbour, returned.

“Ready, Mr Moore?” said his driver.

Roger Moore unbuttoned his jacket and slid back into the back seat, giving my grinning mum and me a wave.


Of course, I can’t remember any of this. I was only three years old.

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Release Roger! Roger Hodgson at Birmingham Symphony Hall

A rainy night in Birmingham – every time I visit, it’s raining. We were travelling back from Glasgow, with the added treat of seeing Roger Hodgson at The Symphony Hall.

Roger Hodgson? Yes, the man who wrote and sang most of the songs associated with Supertramp, one of the iconic bands of the 1970s. Lady Barton St Mary and I have fond memories of Supertramp at their commercial zenith in the late 70s – they were the sound of our sixth form common room at school, a time before we ventured out into the world to make our living, our ideals and dreams still intact.

The Birmingham Symphony Hall is also one of my favourite music venues, where every seat is a good seat and the acoustics are perfect. So, safely ensconced in our stall seats, Roger took to the stage at 8pm prompt.

“Good evening, Birmingham!” he chirped, a 66 year old man with a transatlantic accent and a 1979 hairstyle. Roger is one of those gifted people with a gifted life; a public school education, a musical genius, who’s lived the majority of his life in the sun and tranquility of California. After opening with ‘Take the Long Way Home’, he engaged with the audience.

“The most important thing in life is love,” he explained, a big smile on his face.

” My songs just come to me, I don’t know how. Songs and music are all about my memories, my journey through life. But I also know that this same music is your memories, your journey through life,” he continued, reminding me of those heady sixth form days.

“This song is about an important time in my life,” he said, before his band member Aaron McDonald blew the plaintive harmonica introduction to ‘School’. Whoa. Aaron McDonald. One of those musicians who seems capable of playing any musical instrument. You could imagine him walking into a music shop, picking up any instrument and learning how to play it in half an hour.Heck, this bloke could play a thermos flask. One of those people you wish you could be, because as the night progressed, Aaron played the penny whistle, a funny wind instrument with a keyboard (a melodica – just google ‘wind instrument with keyboard’) and the saxophone solos from all the Supertramp hits, including ‘Breakfast in America’, possibly Supertramp’s (and Roger’s) best known songs. He explained he wrote it when he was 18 years old. This means it first saw the light of day in 1968 – I tried to imagine what it would have sounded like if released in the late sixties rather than 10 years later.

Roger welcomed the late comers with a cheery hello and ‘you’ve missed the best bits!’ – I can’t remember a concert where people turned up late and then drifted in and out to get drinks. I could imagine some famous musicians jumping from the stage and tearing them to pieces. Bizarre, but Roger is so laid back, happy and full of love he couldn’t care less.

“I wrote this when I was 24 and feeling quite insecure,” he explained, before launching into ‘Hide in Your Shell’, possibly my favourite Supertramp song. It comes from the album ‘Crime of the Century’, regarded as one of the best albums of the 1970s. I can only agree. The only problem with ‘Hide in Your Shell’ is that it is a very powerful ear worm. I’ve been humming it ever since.

Familiar song after song – Roger asking us to whistle along to ‘Easy Does It’, the opening track of ‘Crisis-What Crisis?’, then the first half finishing with ‘The Logical Song’, another Roger Hodgson search for one’s purpose and self.

After a refreshing drink at the bar, we all returned and the second half started with ‘Child of Vision’ from the Breakfast album. This time, another musician, band member Kevin Adamson, took centre stage and played the most amazing jazz piano, good enough to turn the head of any leading lady in La La Land. It’s concerts like this where the band members (including Bryan Head on drums and David J Carpenter on bass) display why they are gifted enough to make a living out of playing music.

Roger had no qualms about playing mainly Supertramp songs – there were a few songs from his solo albums, including the romantic ‘Only Because of You’ and the haunting ‘Death and a Zoo’, all about the question – If you were an animal in the wild and about to be captured, would you prefer death or a life in a zoo?

The memories were triggered once more, rather poignantly for me, as Roger played the opening bars to ‘Dreamer’. It was a favourite of my late cousin John. I remembered travelling up to Keele University and spending the night in the student bar, drinking real ale and singing along as ‘Dreamer’ was repeatedly played on the jukebox. Happy days.

Then after 18 songs, Roger left the stage, still smiling, before returning for the encore. What was left?  ‘Give a Little Bit.’ Of course. Then just one more song.

“I think I know what’s coming,” I whispered in Lady BSM’s ear. She looked at me questioningly.

“Well, this is the first gig of our UK tour,” explained Roger, “and since we’re in Birmingham on a night like tonight, I couldn’t leave without playing this,” he continued, before  rousing version of ‘It’s Raining Again’, the crowd brandishing their open umbrellas, throwing superstition to the wind and rain in the great hall.

A big wave and smile from Roger and his band and a big smile and wave back from the crowd, who, by the looks of them, also spent their lunch hours in the common room singing “Take a look at my girlfriend, she’s the only one I’ve got…”


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Rural Spaceman in Paris

After all these years, Lady Barton St Mary managed to persuade me to visit Paris.

I’d visited Paris many years ago, when I was a skinny, long haired, unwashed student, in the company of an American flatmate called Dan. We’d taken the advice of another American who had ‘done’ Europe and booked a really cheap hotel in the Pigalle area of Paris. Now, our room cost 6fr a night and contained a double bed, an old wardrobe and a pot, presumably for pissing in. Sleep was almost impossible as a constant stream of customers stomped up and down the stairs to be ‘entertained’ by the professional ladies in adjoining rooms. We were both 20 years old; the constant thrumming of bedsprings and the appreciative grunts of the menfolk were not conducive to sleep. For those of you that don’t know, Pigalle is the red light district of Paris: full of sex shops, strip clubs with suitably seedy men standing outside inviting you in. I’ve always found this intriguing. Why put a greasy haired, anorak wearing, Jeremy Kyle Show candidate outside your establishment as an enticement?

Anyway, we saw things in shop windows and street corners that were completely new experiences. Remember, this was a long time before the internet. Our time in Paris was spent eating french bread and cheese down by the left bank. The locals were surly, impatient and very keen to take as much money as they could from us. The 2 hour grilling in customs on the way back (I was travelling with a citizen of the USA and UK immigration gave him a particularly hard time) made up my mind. Paris was not for me.

But, as you well know, Lady BSM is a persuasive creature. It was our 32nd wedding anniversary and her last visit on business to Paris for a while.

“Please – come and spend the weekend with me in Paris,” she asked, using her beautiful blue eyes and hypnotically soft, posh voice to persuade me. So I did.

I arrived late in the evening, straight from work, striding out of the airport and straight into the first taxi I was offered. Mistake.

“How much is it to the hotel?” I asked in my best French, which is crap. He waved his arm about a bit and said, “Don’t worry, normal fee”, which didn’t fill me with confidence. During the trip from Orly to central Paris, I exchanged texts with Lady BSM. ‘Pay no more than €30’, she texted. I sat back and listened to the PSG football game on the radio. I continued to ask with the vaguest of answers. My anti-Paris radar was pulsing, a faint dot growing stronger and redder as the journey continued. We arrived at the hotel.

“fifty five euros!” he beamed. I blinked.

“Where’s your meter?” I asked. He frowned.

“No. It’s standard fee.”

I proffered €30. He stared at it. I channelled my dad.

“That’s all your getting,” I explained.

“No. Give me €50, or you don’t leave.”

My dad came through strongly.

“Right, mate. Here’s 30 euros, take it or leave it, fella.”

He looked in my eyes and saw the angry cockney within. I don’t know what the French equivalent of a right hander is, but he suspected (wrongly) that I was capable of it. He took the money, let me out and roared off. At that point, it appeared Paris hadn’t changed.

I was greeted by the lovely Lady BSM and we ate in a busy restaurant just up the road from our hotel in the Bastille district. It appeared to be a popular haunt for students and young people, so we fitted right in, as you can imagine.

Tourist Attractions

Lady BSM was already familiar with the Metro system. I was familiar with an app called ‘Citymapper’, introduced to me by one of its designers on a train to London. It’s brilliant; it helped me get around London and there is a version for Paris. You can get advice on where to travel from one place to another using this app. The Paris Metro system is also brilliant, but then, like  other European countries, it proves how efficiently a nationalised public transport system works. We made our way towards the Eiffel Tower, but appeared out of the station slap bang in front of L’Arc de Triomphe. We stared at its magnificence. Some people were on top of it looking out. Did we go up and join them? No. The queue was enormous, so we trotted down the Champs Elysee to the Eiffel Tower. Another magnificent example of architecture and humans queuing. If you want to know more read my Rural Spaceman in Paris – Trailer.

The Louvre is a big building – Lady BSM visited earlier the day before, to view the Mona Lisa of course, but she enjoyed the other works of art. She was rather disappointed by the number of people taking ‘selfies’ with her.The Mona Lisa, I mean, not Lady BSM. It was almost like that was more important than looking at one of the most iconic and famous works of art ever produced. The Mona Lisa, I mean, not Lady BSM.

Sacre Coeur – a beautiful church adjacent to the aforementioned Pigalle district – allows views across Paris. Again the queues were horrendous, so instead we took a cute little road train that gave us a tour of the region, including Pigalle, which, since the advent of the internet, seems less motivated to show as many photos and images of human beings in various stages of coitus.

Notre Dame – Another queue, but this one was fast moving. Being a Sunday morning, there was a service, with a choir and all the incense waving. The music was quite captivating and eerie – a version of religious progressive rock. Lady BSM mentioned that the Notre Dame museum had a few amazing artefacts – a nail and a splinter of wood from the cross and, incredibly, the actual crown of thorns worn by Jesus. I paid my five euros to have a look. The splinter and nail are very small; the crown is in a closed box in a glass cabinet. I wondered whether I could ask to see it. Lady BSM was doubtful.

“But how do you know that it’s in there?” I asked her.

This is where the crown of thorns is kept, absolute proof of the crucifixion story. But obviously you can’t see it.

“You have to have faith,” she explained.


Musee D’Orsay – woohoo! Lady BSM wasn’t getting caught out having to queue for this venue. She’d bought advance tickets that meant we had priority to enter this famous art gallery. We skipped past all the losers standing to get in at entrances A-C, line upon line of tired looking tourists, staring at us with jealous eyes. We laughed as we made our way to entrance D. Whereupon we found line upon line of tired looking tourists, feeling our pain as we realised we’d been duped. Half an hour into our queuing experience, I desperately needed the toilet, prompted by the tannoy announcement informing us not to worry, once we’d actually queued into the building, there was a further 25 minute queue to get in. I skipped out of the queue and ran around the streets, getting more desperate by the second. A man hosing down the pavement didn’t help. I finally sneaked into a crowded restaurant to make my ease before returning to queuing duties. Finally, we got in. That’s when I discovered I’d lost my priority ticket. Don’t ask. We spent all our time on the fifth floor, looking at the impressionist paintings. The gallery closed at 6pm, but staff started to ‘kettle’ their visitors at 5.15pm and chucked them out at 5.55pm, unless they could extract more money out of you in the shop until 6.30pm.

Pompidou Centre – great design. We saw the outside on a bank holiday Monday, when it was closed.

Food and drink 

The food was wonderful. Bizarrely, I ate quite a few burgers, which is unusual for me. I don’t mean the mass produced, brightly coloured globally marketed burgers, but French burgers. I also ate game pie, oysters, Lebanese food and cake. All lovely. As were the staff and people in general all over Paris. The beer was eye wateringly expensive – expect €7 or €8 for a pint of lager. Lady BSM’s cocktails and wine were about the same price.

One bar was a little cheaper but with its own appeal. An old hippy known as Cisco entertained the alcoholic regulars and homeless people sitting on the street corner, whilst the regulars did their best to encourage the various european customers to dance with them. It was just like a Saturday night in town back home.

Even the policeman, magnificent in full riot gear, who helped us to get from one side of the Place de la Bastille to the other. He was a very tall man, about 7 ft in his riot helmet, with vague resemblance Vladimir Putin.

“Notre Hotel est la ba,” I explained in my best Frenglish, “comment moi get there?”

“My English not a lot,” he explained, “wait here.” He strolled off, giving a cursory cuff around the head to a young, enthusiastic, flag waving demonstrator. We waited.

Bloody crows!

He strolled back and loomed over me. I blinked rapidly. He told us to move 200 metres up the road, where we would get safe passage. On return to our hotel, the taxi we’d ordered was stuck in the gridlock, so we were advised to take public transport. Again, it didn’t let us down.

My opinion of Paris has changed completely. Perhaps the long haired, unwashed youth wasn’t as easy as the grey haired, rather more hygienic old man. Viva la France. Liberty, Equality, Fraternity. Je suis European.

I’ll be back. But I won’t queue.



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Rural Spaceman in Paris – Trailer

Finally, we find it.IMG_4658.JPG
‘Would you like me to take you up the Eiffel Tower?’ I ask Lady Barton St Mary. She looks at me balefully.
‘So, we have to queue to get through the security gate?’ she enquires.
‘Yes,’ I reply.

‘Then we have to queue again to get in the lift or go up the stairs?’


She thinks for a moment.

‘How long will that take? Three hours? Three and a half?’

‘Probably,’ I confirm. She puffs out her cheeks and emits a small chuckle.

‘I’m not sure I could be arsed,’ she says in her crystal clear, properly pronounced English accent. A worried look passed across her face.

‘But we’re here, under the Eiffel Tower and we’re not going up to the top.’ We both ponder this for a moment.

‘Never mind,’ I say reassuringly, ‘we can always look at the view on the internet.’ I make a few taps on my iPhone.

‘Look! There’s a 360 degree panoramic view which we can watch through our cardboard virtual reality viewer when we get home! Job done!’

‘Yes, I suppose,’ she replies, looking at the long, winding snake of miserable people underneath the tower, behind the wire mesh of the security fence.

‘Besides, we can use the 34 euros we would have spent to queue up for half a day to buy gin, pastis and macaroons,’ I explain.

She’s already heading back to the Champs-Elysees.

‘Come on,’ she says, ‘ I know a lovely cafe that sells delicious cakes not far from here.’

She’s starting to come around to my way of thinking when it comes to city breaks

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I’ll Play What I Like – Paul Weller at Bristol Colston Hall

I’d been quite excited about seeing Paul Weller at Colston Hall, Bristol. The last time I’d seen him was with The Jam back in the early 1980s, before he adopted  floppy hair and a stripy blazer with The Style Council. As a former punk who saw Weller adopted by mods, this change of style was not to my taste. Conversely, Lady Barton St Mary loved The Style Council and bought the cassette, which she played constantly, allowing me some familiarity with their tunes despite the constant reminder that, as far as I was concerned, Weller had ‘gone soft’. His later solo albums were a redemption in my mind, especially ‘Stanley Road’.

I was accompanied by Lady BSM, Nancy Cuticles, Pen,  Steeley the Tinkers’ Friend and She-La! (who had a hit in the 1980s called ‘Touch Me – but not there’). They had seen him at Westonbirt, a lovely wooded musical venue in Gloucestershire, a couple of years ago. I am not a fan of Westonbirt, since it is open air in the evening, you are usually miles away from the stage and the audience usually consists of punters called Toby and Jocasta with children in 4 wheel buggies who leave half way through the set when they have enough material to pontificate at length about seeing Paul Weller at their next dinner party. Blimey, I’m such an inverse snob.

The Colston Hall is a wonderful venue for music. Not a pushchair in sight, in fact a couple in Stranglers t-shirts who were happy to engage in conversation about their appearance at the hall a week earlier.

Anyway – Weller. What a back catalogue of music he has, a prolific writer. He started with White Sky, a cacophony of guitars and rocked the place, moving on quickly to Long Time and I’m Where I Should Be before the first Jam song. Guess which one? Ghosts. Yes, I struggled too. Was it from Setting Sons? I couldn’t remember. Then two Style Council hits – Ever Changing Moods and Have You Ever Had It Blue? – which, to be honest, were really good, because they were played with a little bit of edge and Paul didn’t have floppy hair and wasn’t wearing a yellow and red striped blazer. (By the way, the Weller hair has also improved. Still quite ‘youthfu’l but a little less like a trendy granny hairstyle).

Then back to the album tracks. Hardcore Weller fans would have loved this gig, whereas everyday Weller fans would have struggled to recognise the songs. Wonderfully played, great musicianship, but not familiar. Hence the cheers and relief for Peacock Suit, Guilded Splinters and, for the first encore, Wild Wood.Even for the encore, Paul plumped for The Ballad of Jimmy McCabe and a number from the latest album.

Of course, he left on a high with Start! and Changing Man.

Lady BSM commented afterwards that he seemed to play what he wanted to play, rather than what the audience would prefer. I agreed, but then another musical snob would categorise me as another Toby/Jocasta.

And it is Paul Weller. He can play what he likes.



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